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Slik begynner Catharine Kølle dokumentasjonen av sitt liv, gjennom et fem sider langt selvbiografisk notat, midtveis i en liten skrivebok som betegnende nok ellers er fylt til randen av regnskap og diverse lister og notater. Catharine vokste opp på Snarøen hovedgård, som eldste datter av Christian Kølle (1736-1814) og Elisabeth Monrad (1758-1829), sammen med søstrene Helene Johanne (f. 1795) og Ambrosia (f. 1796). Christian Kølle ble ferdig utdannet teolog i 1860, men fikk aldri stilling som prest. Han kjøpte farsgården, Snarøen hovedgård, i 1770, og etablerte der noen år senere pensjonatskole for gutter fra borgerskapet. Skolen ble avviklet tidlig i 1790-årene. Om Catharines mor, Elisabeth, er kildematerialet påfallende taust, trolig på grunn av at hun allerede i 1790-årene slet med de på den tiden svært tabubelagte psykiske lidelsene som skulle prege henne resten av livet. Catharine levde de første 15 årene av sitt liv på Snarøen hovedgård, i et oppvekstmiljø der hun ble grunnleggende preget av farens særegne og selvstendige meninger og livspraksis. Samtidig ga faren henne undervisning og utdannelse utover det vanlige for unge kvinner i hennes stand – i norsk og flere fremmedspråk, historie og geografi. I tillegg fikk Catharine den sedvanlige praktisk-estetiske dannelsen som var vanlig for unge kvinner fra borgerskapet: «I min Opvekst var jeg i 2 Aar i Christiania, for at lære at sye, brodere, tegne og kniple».","id":"6d365e74c378","type":"span"}],"type":"block","style":"normal"}]},"timespan":{"date":"1788-02-27T23:17:00.000Z","type":"timespan"},"id":"40c2904c2c15","headline":{"nor":"Snarøen"}},{"type":"timelineSlide","media":[{"link":"http://marcus.uib.no/instance/painting/ubm-bf-diby-000475.html","caption":"\"Kobbervigen paa Carmøe\", akvarell malt av Catharine Hermine Kølle, fotograf: Svein Skare, Universitetsmuseet i Bergen.","id":"dd15dd5e0418","asset":{"id":"image-e3b9374ed264ff50e635eee87944f29bef7c0ed9-1024x634-jpg"},"linkTarget":"Marcus","type":"mediaObject","alt":"\"Kobbervigen paa Carmøe\", akvarell malt av Catharine Hermine Kølle, fotograf: Svein Skare, Universitetsmuseet i Bergen."}],"text":{"nor":[{"children":[{"id":"fbeb48369980","type":"span","text":"I 1802 bestemte Christian Kølle seg for å flytte fra Snarøen hovedgård, og i juni samme år ble gården solgt for 5000 riksdaler. Det uttalte argumentet hans for flytting var «økende ufredstider» både lokalt og ute i Europa – med Napoleonskrigene i Europa, og engelskmennenes angrep på København i 1801. Samtidig var nok også konens sykdom med på å tvinge frem en flytting fra Snarøen. 10. juli 1803 reiste familien vestover til Hardanger, der de hadde avtalt å leie gården Tangerås i Strandebarm. Imidlertid var huset i så elendig forfatning at de umiddelbart reiste videre til Kopervik på Karmøy, der de ankom i august 1803, og ble boende til 1807. I november 1804 ble Catharine konfirmert i Avaldsnes kirke. I løpet av perioden i Kopervik ble morens sinnssykdom forverret, og Christian Kølle nevner i et dagboksnotat fra juni 1806 at det var siste gang hele familien gikk samlet til gudstjeneste. Trolig ble konen allerede på dette tidspunktet «bortsatt» til pleie i Kopervik; det ble da også siste gangen de tre søstrene Kølle bodde sammen med sin mor. Fra tiden i Kopervik stammer de tidligste akvarellene vi kjenner av Catharine Kølle, bl.a. et bilde av hovedhuset på Snarøen hovedgård. Mange av akvarellene fra denne perioden er laget etter forelegg, som motivene fra Avaldsnes, Utstein kloster og Stavanger. Kopervik var på denne tiden den største byen i regionen, og var lossted på Karmøy, sentralt plassert ved hovedleden for skipstrafikken gjennom Karmsundet, noe som gjenspeiles i Catharine Kølles akvarell fra Kopervik."}],"type":"block","style":"normal","id":"107d1585b6ff"}]},"timespan":{"endOfTheEnd":"1807-12-31","beginOfTheBegin":"1802-01-01","type":"timespan"},"id":"c87ad415be0a","headline":{"nor":"Kopervik"}},{"timespan":{"endOfTheEnd":"1807-12-31","beginOfTheBegin":"1807-01-01","type":"timespan"},"id":"dbdda2f76eb4","headline":{"nor":"Ulvik"},"type":"timelineSlide","media":[{"type":"mediaObject","alt":"\"Uten tittel\", akvarell malt av Catharine Hermine Kølle, fotograf: Svein Skare, Universitetsmuseet i Bergen.","link":"http://marcus.uib.no/instance/painting/ubm-bf-diby-000415.html","caption":"\"Uten tittel\", akvarell malt av Catharine Hermine Kølle, fotograf: Svein Skare, Universitetsmuseet i Bergen.","id":"87405d7450b9","asset":{"id":"image-70a67d8d54b394608e6b07ce802f0cbb0a97d90c-1024x777-jpg"},"linkTarget":"Marcus"}],"text":{"nor":[{"style":"normal","id":"c46139461c91","children":[{"type":"span","text":"Den trygghetssøkende Christian Kølle fant seg aldri til rette ved den urolige og travle skipsleden på Karmøy, og etter drøyt fire år i Kopervik kjøpte han i november 1806 gården Holmen i Ulvik for 900 riksdaler. Selv anga han lakonisk «let kirkevei» som grunn for flyttingen til den avsondrede og fredelige bygda innerst i Hardanger. Christian Kølle og de tre døtrene flyttet til den tidligere husmannsplassen Holmen 28. mai 1807; døtrenes mor ble værende igjen som pleiepasient i Kopervik. Holmen var ingen stor gård, opprinnelig en husmannsplass under gården Håheim, og i perioden Christian Kølle drev gården, kunne han fø 2-3 kyr og årlig produsere 3-4 tønner korn. I 1801 bodde det 926 mennesker i Ulvik sogn i Granvin prestegjeld; i 1845 hadde folketallet steget til 1462. I følge et håndtegnet kart som er bevart etter Catharine, «Kart over Gravens Prestegjeld», fantes det bare to hus i hele Ulvik som «beboes af Fornemme», nemlig Holmen og prestegården. Bendix Røtting, prest i Ulvik 1816-46, ble en fast gjest i huset på Holmen. Det samme ble de to guttene på nabogården Lekve, Torkjell (f. 1792) og Ivar (f. 1802). De fikk, sammen med søstrene, undervisning i språk, geografi, historie mm. av Christian Kølle, og særlig Ivar ble en nær og livslang venn av Catharine – «Min meget kjære og agtverdige Ven!», som det står i et av de 23 brevene fra Catharine til Ivar som er bevart fra perioden 1826-1859.","id":"7ad2ddd6f6c6"}],"type":"block"}]}},{"type":"timelineSlide","media":[{"id":"6ab99836afc0","asset":{"id":"image-aa01fe92d387e5ee9fd911c04fbbcbb045ce64e2-1024x721-jpg"},"linkTarget":"Marcus","type":"mediaObject","alt":"\"Holmen i Uldvig\", akvarell malt av Catharine Hermine Kølle, fotograf: Svein Skare, Universitetsmuseet i Bergen.","link":"http://marcus.uib.no/instance/painting/ubm-bf-diby-000416.html","caption":"\"Holmen i Uldvig\", akvarell malt av Catharine Hermine Kølle, fotograf: Svein Skare, Universitetsmuseet i Bergen."}],"text":{"nor":[{"id":"1c2bef1166ea","children":[{"id":"ac2dc251682c","type":"span","text":"Christian Kølle dør 30. januar 1814, og etterlater seg en arv på snaut 17 000 riksdaler i livrentekapital, utbetalt i årlige porsjoner - halvparten av summen til pleie av konen, halvparten til Catharine, Helene og Ambrosia. Etter loven hadde ikke kvinner råderett over formue eller eiendom, de var umyndige, og som enslige kvinner var søstrene på Holmen avhengige av en mannlig verge. Men på tross av umyndiggjøringen hadde nok søstrene på Holmen en mye større grad av personlig og økonomisk uavhengighet enn det som var vanlig for ugifte kvinner tidlig på 1800-tallet. De fikk utbetalt sin årlige livrente, hadde inntekter fra gården og diverse håndarbeid. Noe av det første søstrene bestemte var morens videre skjebne. De ville ikke ha henne boende hos seg på Holmen, og hun ble «satt bort» i pleie på gården Engevik i Fusa, der hun bodde frem til hun døde i januar 1829. Akvarellen som viser huset på Holmen er et av Catharines mest kjente bilder. Nede til høyre på bildet ser vi en av husmannsplassene på Holmateigen, og helt til venstre ligger lysthuset til søstrene. Det mest fascinerende ved dette bildet finner vi ved å zoome inn på lysthuset, der vi gjennom det glisne listverket kan skimte tre kvinner, hun lengst til venstre iført noe som ligner umiskjennelig på Catharines reisehatt. Vi får selvsagt aldri vite det, men kanskje har Catharine med lekent sinn og finslepen pensel malt inn et skjult «selvportrett» av de tre Holmajomfruene, på den «fornemme» gården midt i det pittoreske Ulvik."}],"type":"block","style":"normal"}]},"timespan":{"date":"1814-01-29T23:17:00.000Z","type":"timespan"},"id":"26cccf9ad1b9","headline":{"nor":"Holmen"}},{"timespan":{"type":"timespan","date":"1826-05-14T23:17:00.000Z"},"id":"ab26245aceeb","headline":{"nor":"København"},"type":"timelineSlide","media":[{"linkTarget":"Marcus","type":"mediaObject","alt":"\"Prospect af Kjøbenhavn fra Landsiden\", akvarell malt av Catharine Hermine Kølle, fotograf: Svein Skare, Universitetsmuseet i Bergen.","link":"http://marcus.uib.no/instance/painting/ubm-bf-diby-000386.html","caption":"\"Prospect af Kjøbenhavn fra Landsiden\", akvarell malt av Catharine Hermine Kølle, fotograf: Svein Skare, Universitetsmuseet i Bergen.","id":"a4096012279d","asset":{"id":"image-ccd6f2ced553a0fd719c4a0a33c65b5a6ef47bf4-1024x497-jpg"}}],"text":{"nor":[{"children":[{"type":"span","text":"15. mai 1826 reiser Catharine Kølle til København med seilskute fra Bergen. Reisen tok 10 dager, og kostet ti spesiedaler. Catharine var 38 år gammel, og innledet med denne reisen en over 30 år lang reisevirksomhet. 15 reiser er dokumentert gjennom reisedagbøker, akvareller og brev; trolig reiste hun flere ganger. Den uttalte årsaken til København-reisen var Catharines helseplager, den noe udefinerbare diagnosen «brystplager». Hun oppsøkte lege i København, og fikk bl.a. råd om å foreta vandringer. Hun tok definitivt legen på ordet, og vandret gjennom «ikke mindre enn 18 byer fra Aarhus i nord til Haderslev i sør». Vandringene er dokumentert gjennom reisedagbok, flere kartskisser, og ca. 20 akvareller av danske landskap og byer, bl.a. prospektet av København. «Den første Uge jeg var her, tilstaar jeg dig reent du at jeg var halvforrykt i mit Hovud; om Dagen løb jeg alt hvad Benene kunde taale, naar jeg saa om Aftenen begav mig til Hvile, fik jeg ikke sove førend over Midnat, thi alt det Nye, alt det Skjønne og alt det usædvanlige stod for mig». Slik skriver hun til Ivar Lekve i juli 1826, et heseblesende brev fylt med inntrykk og opplevelser. Oppholdet i København skulle egentlig vare til høsten 1826, men hun kom ikke hjem til Ulvik før 24. september 1827. Ved siden av vandringer, teaterbesøk og diverse fornøyelser, var Catharine fast gjest på lesesalen på det Kongelige Bibliothek, der hun studerte bøker med «kobberstykker» og prospekter.","id":"e3aa4cfe005b"}],"type":"block","style":"normal","id":"dcb29a3f70be"}]}},{"id":"d00394be5d1c","headline":{"nor":"Trondheim"},"type":"timelineSlide","media":[{"id":"ubb-ms-utst-0039"}],"text":{"nor":[{"children":[{"type":"span","text":"I Trondheims Adressecontoirs Efterretninger 21. juli 1835 sto det en liten notis under rubrikken «Anmeldte Reisende» til Trondheim: «Jomfru Kølle fra Bergen, hos Høker Gran». Catharine var igjen på reise, og denne gang på en vandring som var til å miste pusten av: Ulvik-Gudvangen-Lærdal-Valdres-Lillehammer-Gudbrandsdalen-Dovre-Trondheim-Snåsa; retur via Røros-Hamar-Toten-Hadeland-Drammen-Kongsberg-Hallingdal-Geilo, over Hardangervidda, ned Måbøgaldene til Eidfjord og hjem til Ulvik. Reisen varte fra 27. juni til 21. september, og med sin forkjærlighet for detaljer har Catharine sirlig notert samtlige avstander på turen. Totalt var reisen på over 245 mil, derav 224 mil til fots. Catharine krysset de fleste fjellovergangene i Sør-Norge i løpet av sine mange vandringer. Hun gikk to ganger over Vikafjellet mellom Vik og Voss, hun gikk over Haukeli i 1846, gikk over Sognefjellet, Filefjell og Dovre, for å nevne noen. Men turen over det åpne fjellandskapet på Hardangervidda var nok en av de mest besværlige, selv om det i 1835 gikk bedre enn hun hadde fryktet: «»Søndagen blev Fjeldet tilbakelagt, hvilket aldeles ikke var hverken saa langt eller saa besværligt som jeg havde forestilt mig; thi just dette Stykkevej var det jeg hele Tiden havde tænkt paa med Frygt og Usikkerhed; nu, da jeg saae den ej var uovervindelig, veeg Frygten bort efterhaanden». I tillegg til reisen i 1835, besøkte Catharine Trondheim også i 1845 og 1850. Bildet av Nidarosdomen med den fargerike naustrekka i forgrunnen er også bevart som skisse, påført fargekoder og henvisninger, bl.a. om de «betagende røde Tag».","id":"ae102f621e54"}],"type":"block","style":"normal","id":"48f06585eaa3"}]},"timespan":{"date":"1835-07-20T23:17:00.000Z","type":"timespan"}}],"headline":{"nor":"Kølles tidslinje"},"editorialState":"published","createdAt":"2020-12-04T14:28:44Z","type":"timeline","text":{"nor":[{"id":"e5245090ee43","children":[{"text":"Hoved/første 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